Children and horror: two things that are usually not considered to go together. Very often, it is assumed that if children are exposed to horror, they will be psychologically ‘corrupted’ in some way, and so they should be protected from it at all costs. However, for many horror fans, our fascination with all things spooky began in childhood – whether because we watched something that we really weren’t supposed to, or were introduced to horror through children’s content such as Scooby DooGoosebumps, or classic Disney fairy tales like that scene from Pinocchio. With recent films such as ParaNormanFrankenweenie and Hotel Transylvania, and children’s toys like the Monster High dolls, horror for children is becoming increasingly mainstream.

This class will explore in detail the area of horror films and television programmes created specifically for children in the UK and the US. Aspects of this topic that will be covered in the class include:

  •           How horror for children emerged and how the subgenre has developed and changed across time, from early cinema to the present day;
  •           Key academic theories on or relating to frightening media for children;
  •           The defining characteristics of children’s horror stories on film and television;
  •           How children’s horror is able to be both ‘scary’ enough to be classified as horror, but ‘safe’ enough to be considered ‘child-friendly’;
  •           Similarities and differences between children’s horror and adult horror;
  •           The possible functions and benefits that horror might provide children.

This class aims to show that the relationship between children and horror is as complex as it is fascinating and that, far from being incompatible, children and horror are actually an ideal match. Films and programmes discussed range from the popular to the obscure, the good to the bad, the expected to the unexpected, and the surprisingly disturbing to the downright fun. Examples may include Disney’s The Watcher in the Woods, cult-favourite The Monster Squad, 70s CFF chiller The Man From Nowhere and the British anthology series Dramarama Spooky.

 

 

Catherine Lester

Dr Catherine Lester is a lecturer in film and television at the University of Birmingham. She is the author of the book Horror Films for Children: Fear and Pleasure in American Cinema (2021) and editor of the forthcoming essay collection Watership Down: Perspectives on and Beyond Animated Violence (2023), both published by Bloomsbury. She has also published shorter pieces on the intersections of children’s culture and the horror genre in the books Discussing Disney (2019), Global TV Horror (2021) and the Fantasy/Animation Research Network http://fantasy-animation.org. When she isn’t writing or teaching she can usually be found relaxing with her partner, cat and two rabbits, whose lives aren’t nearly as dramatic as those of the rabbits in Watership Down.