Tickets: http://www.wegottickets.com/event/299642
For many genre fans, a love affair with horror and the grotesque began early on, sometimes fueled by unlikely sources. One of these was the classroom safety film, which for many kids was their first time seeing other children threatened by true danger, being confronted with a combination of gore effects and actual accident footage, and being offered a pictorial glimpse at things their parents didn’t want to talk about. Thousands of these films were made in North America from the 1940s through the 1980s, when companies like Centron, McGraw-Hill, Coronet, Encyclopaedia Britannica Films, Avis Films, Crawley Films, Bell Labs, the NFB and others thrived on the burgeoning market for classroom or workplace educational films.
Subjects ranged from safety in and around vehicles, to drug abuse and venereal disease, teaching children scary lessons about everything from dental hygiene to how to spot a pedophile. The most memorable of these films deliberately used horror visuals to entice and/or shock children into paying attention – such as those by prolific producer Sid Davis (1916-2006) – and some were even made by directors with genre film pedigrees, such as Carnival of Souls’ Herk Harvey, a key figure in the industrial film scene.
This lecture and screening by Kier-La Janisse, founder of The Miskatonic Institute of Horror Studies, will present some of the most notorious educational films of the 40-year golden age of social hygiene onscreen. We’ll also briefly look at educational television PSAs, from the British Public Information Films through the incredibly grisly Australian drunk driving commercials of the 1990s.
The classic era of classroom films may be over, but viewed from today’s perspective, some of these films offer up a fascinating survey of changing social mores and cultural preoccupations (not to mention fashions!). Being safe has never looked so grim.
WARNING: This program contains graphic imagery, including real accident and casualty footage.
Kier-La Janisse is a film writer, producer, former programmer, and founder of horror school The Miskatonic Institute of Horror Studies. She is the author of A Violent Professional: The Films of Luciano Rossi (2007) and House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films (2012/2022) and contributed to Recovering 1940s Horror: Traces of a Lost Decade (2014) The Canadian Horror Film: Terror of the Soul (2015), We Are the Martians: The Legacy of Nigel Kneale (2017) and Refocus: The Films of Roberta Findlay (2023). She co-edited (with Paul Corupe) and published (via her imprint Spectacular Optical) the anthology books Kid Power! (2014), Satanic Panic: Pop-Cultural Paranoia in the 1980s (2015), Lost Girls: The Phantasmagorical Cinema of Jean Rollin (2017) and Yuletide Terror: Christmas Horror on Film and Television (2017). She edited the book Warped & Faded: Weird Wednesday and the Birth of the American Genre Film Archive (2021) and her first film as director/producer, Woodlands Dark and Days Bewitched: A History of Folk Horror was released by Severin Films in 2021.