From emblems of the occult to internet sensations, our feline familiars occupy a rarefied space in contemporary culture. By examining how cats came to be associated with the dark arts and their subsequent persecution to their current role as influencers and meme generators, this lecture will look at the dual role cats have played in guiding us towards and steering us away from darkness.

Since the genre’s inception, cats and horror films have always flirted with each other with the little lions existing interchangeably as protectors, instigators, and doorways to the darkest regions of our imaginations. Once worshipped as Gods in Ancient Egypt they were executed alongside witches in Europe in the Middle Ages by the Church who demonized them which has led to a centuries long suspicion of their true nature.

This lecture will examine the liminal space between life and death that cats occupy and how that ability is intentionally or unintentionally used in films such as Bell, Book and Candle (1958), House (1977) and Pet Sematary (1989) among others. By looking at their different uses in a variety of films, we will aim to uncover why these beguiling creatures provoke senses of dread, protection, and adoration within us.

Class citations can be viewed here.

Alexandra West

Alex’s work has appeared in The Toronto Star, Rue Morgue, Famous Monsters of Filmland, and Art of the Title. Her writing has also been published in The Supernatural Cinema of Guillermo del Toro: Critical Essays, Scared Sacred: Idolatry, Religion and Worship in the Horror Film and Offscreen Film Journal. Her books Films of New French Extremity: Visceral Horror and National Identity (2016), and The 1990s Teen Horror Cycle: Final Girls and New Hollywood Formula (2018) are available via McFarland. Alex has co-hosted the Faculty of Horror podcast with Andrea Subissati since its inception in 2012.